About

Randy Krum infographic designerRandy Krum

President of InfoNewt.
Data Visualization, Infographic Design, Visual Thinking, Product Development and Marketing professional fascinated by good infographics.  Always looking for better ways to get the point across.

Infographic Design

Looking for help creating your own infographics?  Randy’s infographic and data visualziation design company:

InfoNewt Infographic Design

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Entries in book (18)

Friday
Apr272012

Mapping Popular Story Plot Lines

Finally! The secret ingredient to writing a good book has been revealed. Plot Lines, the infographic from Delayed Gratification, the slow journalism magazine, shows the dominant themes in last year’s books nominated for the Man Booker Prize for Fiction.  An interactive, zooming viewer available on the original landing page.

What makes a prize-winning novel?  As Julian Barnes wins the Booker Prize, Johanna Kamradt charts the themes of this year’s longlisters.  (Illustration by Christian Tate)

If you want to write a hit novel, it pays to stick with the tried-and-true plot lines.  DEATH of your characters is clearly the overall winning theme, with every one of the novels listed from 2011 including death as a theme.  Other classics like WAR, LOVE, BETRAYAL and CORRUPTION followed closely.  Obscure plot points like AN ESCAPED TIGER and HOMICIDAL COWBOY BROTHERS are certainly much more of a risk.

I love this design, and how it takes the multiple, complex story plots from the complicated mix on the left, and converts the chaos into order on the right.  Even with all of the crossover lines, you can still pretty easily follow a line across the diagram.  It’s fun and engaging for readers to follow the connections, and draws the readers in to look more closely. 

Found on visualnews.com

Friday
Feb242012

See Mix Drink: Infographic Cocktails

The See Mix Drink Cocktail Guide is a fabulous infographic drink recipe book from Brian D. Murphy (@murph_e).  Currently available for about $10 on Amazon.com, it’s on my wish list.  Featured on GQ.com back in October when it was released, I have been totally remiss by not posting about it until now.  (My apologies Brian!)

Have you tried mixing a Mojito? What about a Rusty Nail? Or a Cosmopolitan? With See Mix Drink, the first-ever cocktail book to offer instruction through info-graphics, making the drinks you love at home is as easy as, well, See, Mix, Drink.

This unique, illustrated guide graphically demonstrates how to make 100 of today’s most popular cocktails. For each drink, color-coded ingredients are displayed in a line drawing of the appropriate glassware, alongside a pie chart that spells out the drink’s composition by volume for intuitive mixing. No other cocktail book is this easy or fun. Instantly understandable 1-2-3 steps show exactly how each drink is prepared, and anecdotes, pronunciation guides, and photographs of the finished drinks will turn newbie bartenders into instant mixologists. 

The GQ.com feature has the designs for ten of the recipes from the book.  They are all simple to understand, and easy to follow.

One thing I would suggest to improve the visualization design style is to combine the key and the ingredient portions.  No need to make the reader look to both sides of the glass illustration to figure out how much of each ingredient.  Just putting the name with the amount on the left side and getting rid of the color key would eliminate an eye motion for the readers.

Thanks to Brian for sending in the link (back in October!) and congratulations on the publication!

Wednesday
Oct122011

Top 100 SciFi and Fantasy Books Flowchart

 

SF Signal has created The Top 100 SciFi & Fantasy Books Flowchart, a decision tree flowchart for NPR’s list of the top 100 books.  They have a high-resolution printable version available too.

Over the summer, NPR solicited the input of its listeners to rank the top science fiction and fantasy books of all time. Over 60,000 people voted for the top picks which were then compiled into a list by their panel of experts. The result? This list of 100 books with a wide range of styles, little context, and absolutely no pithy commentary to help readers actually choose something to read from it.

We at SF Signal have, once again, come to the rescue. This flowchart is designed to help you follow your tastes, provide context, and fulfill (indeed exceed!) any need for pithy commentary you might harbor.

 

I ended up on Hyperion, one of my all-time favorite series.  Bring on the Shrike!

Found on FlowingData

Friday
Sep092011

The Science of Salary

 

Salary Science builds on the information from Jim Hopkinson’s book, Salary Tutor, and the SalaryTutor.com site.  Designed by Shaun Sanders, the infographic is not actually from the book.  Instead, it shares information that goes above and beyond the book, as a great way to build awareness and help promote the book.

 

 

Jim has also published an in-depth, behind-the-scenes look at the making of the infographic on his blog: How to create a viral infographic to market your brand.  You learn about his planning process, the infographic design cycle that Shaun goes through and see early images of the infographic taking shape.

 

I really appreciate some of the design choices they made along the way, and think the infographic is a super way to attract interest and promote Jim’s brand.  If you’re interested, here’s a link to the book on Amazon as well.  A must-read in my library.

 

Friday
Jul152011

Our Choice: Interactive, Infographic iPad book

Our Choice, is a new ebook for the iPad and iPhone by Al Gore that includes many infographics and interactive data visualizations that the readers can interact with.  Intended to be the sequel to his book and presentations, An Inconvinient Truth, Our Choice brings a lot of the global warming data to life.

Mike Matas presented the book design in the TED Talk video above, and he’s the co-founder of Push Pop Press, a new digital publishing company. This is the first book from Push Pop Press, but they are working to make the software tools used to make this ebook app available to produce more ebooks.

Ignoring the message and any controversy this book will inspire, the use of data visuals in a ebook format like this is a sign of many more data visualizations to come.

Al Gore’s Our Choice will change the way we read books. And quite possibly change the world. In this interactive app, Al Gore surveys the causes of global warming and presents groundbreaking insights and solutions already under study and underway that can help stop the unfolding disaster of global warming.

Our Choice melds the vice president’s narrative with photography, interactive graphics, animations, and more than an hour of engrossing documentary footage. A new, groundbreaking interface allows you to experience that content seamlessly. Pick up and explore anything you see in the book; zoom out to the visual table of contents and quickly browse though the chapters; reach in and explore data-rich interactive graphics.

More than 30 original interactive infographics and animations

100% of Al Gore’s earnings from Our Choice will be donated to the nonprofit Alliance for Climate Protection.

 

The app is $4.99 in the iTunes Store, and if you purchase through this link, Our Choice ebook, a small portion will go to helping maintain the Cool Infographics site.  You can also buy the printed book from Amazon.

Wednesday
Oct272010

Client Infographic: The Visual History of Halloween

The Visual History of Halloween infographic poster

 

Parties, Costumes, Food, Ghosts, Vampires, Witches, Jack-O-Lanterns…oh my!  Halloween is one of the world’s favorite holidays, and The Visual History of Halloween brings all of the diverse history and influences together at last.  Estimated as a $6.9 Billion industry today, Halloween is actually the combination of at least six different festivals and celebrations from hundreds (even thousands) of years ago.  Click HERE to see the high-resolution version.

InfoNewt (my company) designed this one mainly focused on the historical foundation of Halloween.  I’m sure a completely separate timeline could be made just covering the last 100 years of commercializing Halloween, but I tried to stay away from most of that with this one.

This was actually a very fun project, and a perfect topic for an infographic because the information available is so diverse and scattered.  Of course, when you talk about history going back this far, there is also disagreement on what really happened.  So, I plotted the most commonly accepted events and dates I could find.  I had to pull from a handful of different sites to get all of the pieces to fit together.

 

 

Ghosts, werewolves and witches have a long history.  It’s not until much more recent times that many of the other monsters we relate to Halloween appear.  Count Dracula, vampires, Dr. Frankenstein’s monster, The Mummy, Jason and all of the horror movie villains appear in the last 300 years.

 

 

My time to complete this project was short, but I believe I captured the most critical events in history.  Wouldn’t this make a great poster?

A big thanks to Erick and the team at FrightCatalog.com

Monday
Jul122010

VisMag Volume 3: Isometric and an Interview with Chris Watson #vismag3

 

Chris Watson, from Visual Think Map,  has released Visualisation Magazine Volume 3: Isometrics.  You can view it completely online, OR you can purchase a print copy from Amazon.com for $22.00.  This volume covers some of the great designers of isometric-style infographics that have been published in both print and online.

You can win a FREE copy of the printed book by tweeting a link to this post on Twitter using the hashtag “#vismag3” by the end of the day on July 16th.  A winner will be randomly chosen to receive a printed copy of the book.

Chris was very gracious, and has also agreed to answer a number of interview questions about his work and publishing Visualisation Magazine:

 

Cool Infographics: How often do you publish the volumes of Visualisation Magazine, and how many in the future do you already have the topic planned?

Chris Watson: I’d like the volumes to be more regular in their publication, and hopefully more consistent, but I got delayed with this one as I had other things taking my time. Greg Smith at serialconsign.com said to me in an email ”Nothing is ever definite (datewise) when it comes to publishing, web or otherwise”.

Yes, I have some future volumes planned.  The next issue was going to be a collaboration with Wes Grubbs at Pitch Interactive, but recently he has had to concentrate on work recently. We still have a potential list of contributors and work lined up to contact, including Greg for: Volume 5 | Large Data Visualisation: Form and Process

So, due to the delay, and wanting to keep it moving along, Logan Holmes, a colleague of mine, at the same college where I teach and just as passionate an admirer of infographics, suggested we do a volume on the less clinical, beautiful, finished, polished examples of data vis/infographics. Therefore, we thought let’s show the handmade, in-progress examples with less formal styles. They might be just humorous, making good observations of life, or challenging our visual thinking. http://visualisationmagazine.com/volume4_handmade.htm

The list is still being compiled and as yet no one is confirmed, but hopefully we can get permission for most of what we have seen. 

 

Cool Infographics: How long does it take to put together an issue of Visualisation Magazine like The Isometric Volume?

Chris Watson: It probably takes 2 weeks to put together when you have all the content. Allowing time to not see it for about a week and then come back to it so you can see your typo’s and be more judgemental as to its overall look, order etc.

But as I do it as a ‘hobby’, meaning to say it doesn’t pay me like my teaching job does.  I have to balance how many evenings I spend compiling, sourcing high-resolution files, rendering to the right file format for printers, etc. with how much time I spend with my partner.  Overall, it ends up taking about 2 months, 10-12 weeks.

 

Cool Infographics: What are your thoughts behind selling the printed version, but making a complete online version available for free?

Chris Watson: It’s intriguing you ask that.  My initial motivation to make the magazine was that I wanted a publication that was just on infographics and data vis because it is such a growing field with so many being produced. There are written journals such as IEEE with their vis week and there are conferences such as VizThink, but where is the style side?

You have one for typography – Eye, graphic design/advertising – Creative Review, illustration – Computer Arts and then their sister publication – Computer Arts Projects that varied their specialised content.

I would have loved to have printed it from the start, but just assumed you’d have to buy a bulk amount of copies. I thought I’d see if it got a following and then one day ask if they would buy, or invest in printing. Then, after circles with Pedro’s help we got lots of positive praise with thanks to you Randy for helping raise awareness on blogs.  Many of them asked ‘is there any chance of getting it printed?’.

One of them pointed out that there was a Print-on-demand service called Magcloud in the US through LinkedIn. Shame they didn’t ship over the pond (back then, I haven’t checked since). Anyhow researched about print-on-demand, and developed a visual comparison here http://visualisationmagazine.com/blogvisualthinkmap/2009/10/self-publishing-visualisation.html

So I could make it available to print through Create Space and cost me a proof copy, not a bulk batch that I had to try and sell and hope there was a demand for it.

I left it free to view online because it was my original intention.  It’s just great to see the work in print. I think Nathan at flowingdata.com about the same time started a print facility of just the posters, as apposed to a bound book.

I’d like a publisher to get behind it, market it, and print it bigger, as probably does anyone ;o).

 

Cool Infographics: What tools do you use to design and layout a volume.

Chris Watson: I use Adobe InDesign, Pedro was familiar with InDesign and I had trained with InDesign at college and being Adobe, the interface is familiar to Illustrator and Photoshop. I did the 1st volume/version on Adobe InDesign 2.0 and it has improved a lot to the CS4 version that it is rendered through now.

Photoshop renders the pictures and Create Space desires you to render your cover (front and back glossy outer cover) through it.  Their template for trim sizes is in .psd format.

The style of the layout and design was influenced by NeueGrafik and the swiss/basel school of design with J M Brockmann etc. that both Pedro and I loved. Clean white space and Helvetica font to not interfere with the infographics/data vis work.

 


Cool Infographics: How receptive were the different designers to being included and giving you the information you needed?

Chris Watson: Oh, they are the reason it works.  If they didn’t get back to me, I’d have no content. I don’t just want to feature them without permission and many instances I’d like higher resolution files for good quality prints. So huge thanks to everyone who contributes and responds back to my emails.

They are all generally very happy to feature their work. I don’t share their high res files with anyone other than the printers in a PDF, and you get some that go to above and beyond what I’d asked for to give me more content.

For instance, Arnaud from as-map.com on the last issue said, you should look and feature Paul Kahn’s work. Paul shared the passion for the magazine and sent me examples of his work (…& Associates), and a few images from a journal article that had been published. Then he mentioned I should look at Kris Lenk and speak to him about his work, as they both had created dynamic diagrams.

I contacted Kris and he sent me an article, images, work from his students at Rhode Island school of design. Same with Gareth at Trainiac.  He sent me loads, chased down copyrights, answered an interview sharing great insights and got Rob, a designer/colleague to answer them as well.

So they are all very generous with their time, and work, which I’m very thankful for and I guess it gives them and their business/work further exposure, kudos.

Many of them only ask that I clearly point out the owners/authors, offset one or two images not to show the entire image of their work because they also sell it commercially.  Some ask if I can send them a printed copy, which I’m trying to do with the slight amount of profit it makes. Needs to sell more to be able to order copies to be sent to people, as I don’t have any capital, just an abundance of time, enthusiasm and effort.

 

Cool Infographics: Was it difficult to coordinate the different Copyright and Creative Commons issues?

Chris Watson: Yes, to an extent.  I recently got a template for a printed written agreement form to send to people to try and safeguard against legal action and I hope it never arises.  I wouldn’t share or feature it without an email saying ‘yes ok’. The Circles and this Isometrics volumes were just people saying ‘yes, sure’.

To enable the online smooth nature of communication between me and the contributors, I found a fax to email site that people send to.  I get it as a PDF file so they could sign. The agreement slows the process down, and people worry about what they are signing. So still not sure if I will use it, I have an email with them saying ‘yes use it’.

Not sure I have seen any instances of how the creative commons has stood up in court. Not with sites like Flickr.com and Behance.net integrating it to license their work with a ‘I trust it if they do’ sort of attitude. They are good because I want to share it, non-commercial, attributed to the author.

 


Cool Infographics: Where do you have them printed, what are the printing specs and why?

Chris Watson: After comparing in the link from question 5, I use Create Space, setup by Amazon. Let everyone anywhere order a copy.

They have, like many of the others, preset sizes, and I assume they have costed it that way.  But I wanted the square format; I liked the other magazines previously mentioned such as Computer Arts Project and Creative Review. It’s sort of balanced and proportioned, much in the vein of NeueGrafik and a slightly cheaper end price for the buyer compared to A4 (less paper, less ink used I guess).

This square was 8.25 x 8.25 in their presets so had to tweak slightly to what I had original made for online.  I think I did 10 x 10 (inch). It took a bit of farcing trying to interpret their specs for dimensions with margins and bleed areas. Maybe it’s just me, but I eventually realised where they wanted the margins and bleed space and thankfully it didn’t make it smaller by too much. I have a template now, so didn’t take as long for the Isometric Volume. I sacrificed a little of the white page space from around the designs, the edge of the page to the edge of a box, bold line/title. But overall, I was extremely pleased with the binding, cutting and colours printed (I struggled mind you with dense black areas such as Web Trend Map or the Oscars visual by Wes,  It was hard to see the colour details).

 


Cool Infographics: How has the Issuu service to publish online worked for you?

Chris Watson: I liked it.  I need to figure out how to get the Flash used by Issuu.com to display on an iPad and smart phones. I think you can wrap it in HTML5 in some way.  I’ve seen a nice infographic I tumbled and need to investigate further.

You can get an app for Google Android to view publications as opposed to directly on my site, and I think they are making one for iPhone.

It’s good because I could customise it to remove certain functions from the interface such as downloading the PDF, embedding the whole document at their own site rather them view it at my site and hopefully subscribe to the mailing list to see future/previous issues.

It has this nice zoom capability, which at the beginning was good.  I’d like you to be able to zoom into visualisations that were really large and detailed such as the Web Trend Map and density designs work. It also let people share it through the Sharethis service or email to try to get the web 2.0 going and raise awareness of the publication.

 

Cool Infographics: What’s your favorite Isometric visualization?

Chris Watson: *smile* I’m not sure, its partly the reason I put them in a mag. There are various aspects of all the different ones featured.

For instance I love the abstract creative nature of Eboy.  It’s a very graphic design (I trained and teach graphic design). They might not communicate specific info with a clear message or comparison like an infographic, but I love the visualisation of the websites into abstract non-physical (i.e. the world wide web/digital) space. Like the Web Trend Map, it takes the Internet from a conceptual space to an impression of absolute almost physical space.

The width dimension with the stacks for stability in the Web Trend Map is so good.

Love the idea of files been given a space in the same way like with Paul Kahn’s work, that you can navigate and see them as a whole in your computer (…for them a website).

Love the physical space being depicted in a flow of processes with Funnel, Inc., and the complexity that Trainiac depicts and abstracts different departments in a business. The bold colors in a line graph with GOOD, inc. and Timko & Klick; very unique.

Arnuad’s CV style is brilliant too.  With the color-coding of how the skills have built up to be him as they stack in the middle.

Bit of an evasion to the question, but I do love these different successes.

 

Cool Infographics: What can we expect from Chris Watson and VisualThinkMap in the future?

Chris Watson: Hmm…  Busy, I might be sad but I keep trying to challenge how I visualise data, or visualise things that I think would greatly benefit. It’s strange but for a designer they are always striving to create new forms/reinvent old forms, create the new. It’s what drives me, so I try to make new forms, not just stylistically but that have function too.

I did a wayfinding project for a library at a college. Ultimately, they didn’t use it as I designed.  I didn’t really get asked to; I just wanted to make it better and spent longer than expected to make the design work for the place. It didn’t sit well with me as planned to let them use it for free.  I offered it to them really cheap but they didn’t want to pay.  It’s a shame, but you can’t blame them. Will post the look of that soon with some of the thinking behind the project.

I have recently completed this project that I need to get round to posting and telling the Wordpress community.  I want to see if they will use it, or consider it.

http://www.behance.net/gallery/My-Wordpress-Web-2_0/513412


I revamped the My Web 2.0 graphic as I have come across new services that I use since its inception.

http://www.behance.net/gallery/My-Web-2_0/379498


Working on the next issue with Logan Holmes of Visualisation Mag – Handmade/Informal – Volume 4 

I am collaborating with Logan on visualising poetry/creative writing with illustration/drawing and plan to make it into a bound book differently than that through Create Space. 

Logan, myself and another colleague (photographer) are planning projects that do blow our mind and hopefully are realised in the future.

 

 

Thursday
Jan142010

The Visual Miscellaneum - Win a Signed Copy!

 

First of all, The Visual Miscellaneum is a great book of infographics by David McCandless.  

 

Second, and more importantly, it has sold out in the U.S.  Amazon, Barnes & Noble, Borders and others all show the book to be Out Of Stock.  David has what are potentially the last five copies of the first edition, and he is going to sign them and give them away for free.

 

Visit David’s site, Information is Beautiful, (you should bookmark his site while you’re there) and post a comment ON HIS SITE under his entry about the last five books.  On Saturday, January 16th, David will choose five people from the comments to receive the free signed copies.

 

 

 

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