Entries in video (122)
Cool infographic video from the team at Adobe that shares the results of their own 2012 Digital Video Benchmark research.
As you relax at home, walk through stores, and sit in airports, you see people watching video on more screens than ever before. But don’t rely on the eyeball test. The Adobe Digital Index team looked at 19.6 billion video starts on media websites to confirm the growth of broadcast video consumption across connected devices. See the latest video trends they uncovered for device use, ad placement, social media, and more.
Learn more about what they found here: http://adobe.ly/ZeXLoI.
Adobe Digital Index publishes research on digital marketing based on the analysis of anonymous, aggregated data from over 5,000 companies worldwide that use Adobe Marketing Cloud.
The information is about all videos and ad placements in online videos, but the data also applies to infographic videos. Online videos are still on the rise, and have become a very effective content and advertising platform for companies.
Clean data visualizations that I would assume were created in Adobe After Effects. The bar charts that change size and shape in multiple directions are disconcerting though. I can’t tell if they were appropriately adjusting the area of each bar, but I doubt it. It looks more like a designer thought it would look unique and different without realizing that it corrupts the visualization of the data.
Thanks to Jordan from Say It Visually for sending in the linK!
The Wealth Inequality in America infographic video was posted on YouTube back in November 2012. The video is a good example of what the best infographic designs accomplish: Make the complex understandable.
Infographics on the distribution of wealth in America, highlighting both the inequality and the difference between our perception of inequality and the actual numbers. The reality is often not what we think it is.
The data visualization in the video is very powerful and effective. It takes the huge numbers that our brains have trouble processing, and visualizes them in a way that we can understand. Comparing numbers puts them into context for the viewer, and comparing the different fifths of the population works very well in this instance.
The data sources are clearly listed at the end of the video, and they are even made available as clickable links in the video description on YouTube (which is very helpful). This helps the credibility of the video tremendously. Not many viewers (4,336,254 views as of the day I post this) will click to the links to view the source data, but they’re there. Transparency creates credibility.
However, it’s not clear who created and is publishing the video, and this hurts the credibility a little bit, at least to a skeptic like me. The video was uploaded by the user politizane, whose account was created just to upload this video. No history of other videos, and no links to a company or website. The author/designer obviously has an agenda, and spent a lot of time or money creating the video. It would enhance the credibility even more if the viewer knew who was publishing and promoting the video.
Thanks to Doug for sending the link!
I have heard it argued that clean water has been the single greatest medical advancement in mankind’s history. With effects including longer lifespan, reducing diseases, reducing birth defects and generally improving health, it’s easy to undertand how important clean water is. Water Changes Everything is an infographic promotional for the Charity Water organization.
I’ve started the “Start 2013 Clean” campaign to raise $1,000 for Charity Water from Cool Infographics readers. Start off 2013 right, and help me support making the world a better place.
Almost a billion people live without clean drinking water. We call this the water crisis. It’s a crisis because it only starts with water — but water affects everything in life.
Health. Education. Food security. And the lives of women and children, especially.
We can end the water crisis in our lifetime. But first we have to let everyone know it’s happening. Learn how water changes everything — and share this with everyone you know.
It was an infographic map design by John Snow in 1854 that led to the discovery that a cholera outbreak in Soho, London was geographically tied to the location of a water well. At the time, the popular belief was that cholera was airborne, and people would become sick by breathing “bad air.” But John Snow’s early data visualization of reported cases was used to convince local officals to shut down the potentially contaminated well (by removing the handle). This action is commonly credited with ending the epidemic.
Video was designed by Jonathan Jarvis, who also designed the Crisis of Credit infographic video, and the voiceover is Kristen Bell.
The Evolution of Batman poster designed by Cathryn Lavery from Calm the Ham is a visual history of the Batman symbol over the years. I can’t think of any consumer logo that has changed this much, but the Batman logo remains a very powerful and recognizable brand.
A comprehensive and extensive chart of the Batman logo evolution, spanning over 72 years from 1940 - 2012 to map the transformation of a timeless hero. Thanks to DC Comics for creating this cultural icon that we can all obsess over, all logos belong to them.
The infographic timeline covers 72 years (1940-2012) and shows different version of Mr. Wayne’s logo so the reader can easily distinguish the different iterations. Additional information like the year and media publication format are listed in text. I would have liked to see them spaced out along an actual timeline, but this design format fits better on a standard poster. Three different size posters are available from the Calm the Ham site.
I found this design on the FastCoDesign site, but a few other designers have also tackled this specific history. Cathryn Lavery mentions this 2008 video from Rodrigo Alejandro Rojas Sandoval as being the first one she knows of that had attempted this:
I saw this design on Nathan Yau’s FlowingData site in 2010, but he wasn’t able to cite the original source. This one shows fewer versions, and doesn’t include any additional information.
The Noun Project is beauty in its simplicity.
I post this video for two reasons:
- Even though there are no statistics in the video, I do consider this to be an infographic video. The video is a visual explanation that “shows” the audience icons and illustrations that convey the meaning of representing human concepts in visual form.
- The Noun Project is a fantastic effort to design universal icons. The idea is to design and gather illustrations of concepts that cross languages and cultures, and then make tham available to everyone under Creative Commons license to use in their own designs. Obviously good for infographic design, but also for presentations, websites and even school reports.
From the Noun Project About Page:
Creating, Sharing and Celebrating the World’s Visual Language
The Noun Project is a platform empowering the community to build a global visual language that everyone can understand.
Visual communication is incredibly powerful. Symbols have the ability to transcend cultural and language barriers and deliver concise information effortlessly and instantaneously. For the first time, this image-based system of communication is being combined with technology to create a social language that unites the world.
Anyone can also register and submit their own designs to be considered for inclusion in the library.
Crashplan has just released The Lifespan of Storage Media, a comprehensive guide to how long your data will last. Designed by Mike Wirth with InfoNewt, this infographic compares the expected lifespans of popular media types used over the last 100 years to save different kinds of information: computer data, photos, videos and audio. Do your 8-tracks still play?
As each new form of data storage comes on the scene, the market is at first enamored with its compactness, convenience and hoped-for data longevity. But invariably, the reality of physical vulnerability and a limited lifespan remains. Eventually, all media fails, but Cloud backup is forever.
This was a fantastic project to work on, and the data research was the most challenging piece. We had to find data to support both an average expected life and an extended “with extreme care” life. We certainly found some contradictory data sources, and ultimately used data we felt was the most commonly accepted in the industry.
Do you have old computer backups burned to CDs, tapes or even hard drives on your shelf? Don’t count on being able to read the data from them too much longer! The short lifespan for many of these types of media that people use everyday to archive their personal photos and videos was most surprising.
Thanks to the team at Crashplan for a great project!
The Informotion: Animated Infographics book edited by Tim Finke, Sebastian Manger and Stefan Fichtel was just released from Gestalten, and only recently appeared in the U.S. I also have a promotional copy of the book to giveaway! So keep reading until the end to find out how to get a chance to win the book.
This is the only book I am aware of that focuses on infographic animation and video production. The book covers topics like Forms of Representation, Storyboarding, Animation, Voice-Over Narration and Content. The book also highlights at least 25 animated infographic videos, and takes a deep look at how they were made.
At the nexus of design and journalism, the field of information graphics offers some of the most exciting and dynamic work for creatives. Today, even more so than static versions, animated information graphics are serving to communicate complex correlations succinctly. The production of such animations on the basis of up-to-the-minute data is already common practice in select TV programs. Now, these moving formats are finding wider application in television and on the internet, as well as on an increasing number of mobile devices, and in public places. They can be seen in editorial contexts and in the areas of advertising and corporate communication.
Informotion is the first book to document the fundamentals needed to create compelling animated infographics and to explain them with numerous examples. It focuses on key aspects of visualizing data, current forms of information graphics, and future possibilities for moving images. The publication also outlines the factors that improve the viewer’s ability to absorb information.
Sebastian Manger was kind enough to provide some of his time to answer a series of interview questions about the future of infographic videos and production of the book:
CI: What brought you, Tim Finke, and Stefan Fichtel together to collaborate on the book?Sebastian
Manger: Tim and I both studied communication design at the University of Applied Sciences in Potsdam near Berlin. Our collaboration on many projects during our studies welded us together as team, and so we decided to do our master’s thesis as a joint project as well. This thesis formed the initial basis for Informotion. During our research for the book we came into contact with Stefan Fichtel. We initially just wanted to interview him about his experiences in the field of information graphics, but we then wound up working with him more closely.
CI: You cover this briefly in the book, but how do you define the difference between data visualizations and infographics?Sebastian
Manger: Data visualization is mostly based on a very complex set of data, which is then transmitted by tools such as processing into a graphical representation. Examples can include user behavior in a certain context or the air traffic in a given airspace. In our opinion, an infographic is more concentrated on a particular piece of information that needs to be communicated. In contrast to data visualization, infographics often boil something down to one core message that is then conveyed.
CI: Who do you see as the primary audience for the book?
Sebastian Manger: The book is a guide for designing animated infographics. Therefore, the primary target group is, of course, designers who create those. But Informotion is actually also interesting for any designer who deals with the transfer of information through moving images because it deals with our general perception of animation. The book introduces the range of tools now available for implementing animated infographics and explains their appropriate use.
In addition, Informotion is also very interesting for journalists. They can gain valuable insight into how the information they first researched can be processed into an animation. This insight can then help avoid misunderstandings in any future collaboration.
CI: How difficult was it to select the videos in the book and did you get support from the companies that produced the videos?
Sebastian Manger: In some cases, the choice was indeed very difficult—especially when we needed examples focusing on a particular means of implementation. In those cases, we needed scenes that showed exactly what was meant without getting overlayed by other effects or information. In our thesis, which was the original inspiration for the book, we simply created such specific examples ourselves. For Informotion, however, we wanted to always use current examples from actual practice.
Once we found a fitting example, it was usually quite easy to convince the agency or studio to participate in the book. It was, however, sometimes a bit difficult to figure out who exactly was the author of a certain animation.
CI: Based on what you have observed, is there a “best practice” method for releasing an infographic video on the Internet?
Sebastian Manger: As the field of animated infographics is still quite young, it is currently very difficult to speak of a “best practice” example. We do hope that our book can help generate such an example one day.
CI: Do you believe that infographic videos are a stronger tool than static image or interactive infographics?
Sebastian Manger: Yes, we do. People’s viewing habits are changing more and more. Ever more videos are appearing on the internet (YouTube, Vimeo, etc). The viewer is already getting used to absorbing information more passively. This environment is very favorable for the use of animated infographics. A certain fact can be presented to viewers in a simple manner without the need for them to toil through charts or diagrams themselves.
But herein also lies a danger or a special responsibility for the designer of an animated infographic. Under these conditions, a given set of information must always be reduced to a few details. In a static infographic, a statistic for example, viewers can make conclusions by themselves—provided, of course, that they take the time to do so.
CI: How quickly are infographic videos growing as a communication tool?
Sebastian Manger: In our research over the last few years we have ascertained a clear increase in the use of animated infographics. A simple indicator of this, for example, is the increasing number of videos tagged as “animated infographics” on YouTube or Vimeo. The number of websites and blogs that feature animated infographics is also growing continuously.
In addition, infographic design elements are being used more and more frequently in music videos, commercials, main titles, etc. This paves the way for consumers to deal with infographics as a means of implementation. Of course, the use of graphic elements in these fields is currently mostly limited to decoration, but why can’t it expand over the next few years and become more professional? These circumstances are causing viewing habits to change. Designers not only have a significant interest in these changes, but are also a contributing factor to them.
CI: What do you see as the future of infographic videos?
Sebastian Manger: We expect that the trend just described in our previous answer will continue and that animated infographics will be used even more frequently—especially in fields such as reporting but also in advertising. For most people, the use of information graphics is an indicator of seriousness. However, interactive graphics and data visualization will certainly play a huge role too.
CI: How difficult was it to put together a paper book about the highly visual topic of infographic videos?
Sebastian Manger: Not very difficult. Informotion includes a login code for accessing a password-protected website from where you can watch all the referenced videos in full length. In the printed book we use screenshots from and explanations of these videos to identify and explain current theories and means of implementation.Sebastian
CI: Do you have any plans for a video infographic about video infographics in the future?
Manger: Not until you came up with this question, but we’ll surely think about now!
Free Copy of the Book:
I have two copies of the book to give away to readers of Cool Infographics. To enter you name into the hat, tweet a link to this blog post on Twitter and include the hashtag #informotionbook so I can find the Tweets. At noon on Friday, July 13, 2012, I will randomly choose two people from the Tweets to receive a copy of the book. You need to be following me (@rtkrum) on Twitter so I can send you a Direct Message (DM) if you are selected.
Here’s an example Tweet that would qualify:
Check out Informotion, the new book about animated infographic videos bit.ly/OdaGTg #informotionbook
Thanks to Sebastian for all his hard work, and participating with the interview.
Gymkhana: The Infographic, is a design collaboration between InfoNewt (my company) and the design team at DC Shoes. Gymkhana has become a mega-viral hit series of YouTube videos showing Ken Block and his rally car racing through different locations and performing many cool driving stunts. There have been four Gymkhana videos released on YouTube in the last four years with over 135 million views combined, and Gymkhana 5 is expected this summer!
The DC Ken Block Gymkhana Project is a viral phenomenon with well over 135 Million views worldwide and a collection of more than 40+ videos. The Gymkhana franchise has won countless awards including top rated, most shared video series and most recently received the award for #1 viral video ad of 2011.
Created as a fun way to check out all things Gymkhana, the Infographic displays highlights, amazing stats and facts about the Gymkhana YouTube videos. “The fun just keeps on rolling along,” said Ken Block, the Gymkhana star and co-founder of DC Shoes. “The Gymkhana Infographic puts together some outstanding facts. Even I didn’t know that the Ford Fiesta used in Gymkhana 4 had 9 times the horsepower as my first car, a 1984 Toyota Corolla station wagon. Astounding!”
The infographic brings new viewers up to speed leading up to the release of Gymkhana 5, and gives fans of the videos a bunch of behind-the-scenes information they can’t find anywhere else.
Thanks to the team at DC Shoes for a great project!
Another great TEDTalk from Hans Rosling called Religions and Babies about the growth of the world population.
Hans Rosling had a question: Do some religions have a higher birth rate than others — and how does this affect global population growth? Speaking at the TEDxSummit in Doha, Qatar, he graphs data over time and across religions. With his trademark humor and sharp insight, Hans reaches a surprising conclusion on world fertility rates.
In Hans Rosling’s hands, data sings. Global trends in health and economics come to vivid life. And the big picture of global development—with some surprisingly good news—snaps into sharp focus.
Wielding the datavis tool Gapminder, Professor Rosling is a master at using data visualization to tell his story.
The video is also avilable on YouTube for portable devices: