About

Randy Krum infographic designerRandy Krum

President of InfoNewt.
Data Visualization, Infographic Design, Visual Thinking, Product Development and Marketing professional fascinated by good infographics.  Always looking for better ways to get the point across.

Infographic Design

Looking for help creating your own infographics?  Randy’s infographic and data visualziation design company:

InfoNewt Infographic Design

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Monday
Jul122010

VisMag Volume 3: Isometric and an Interview with Chris Watson #vismag3

 

Chris Watson, from Visual Think Map,  has released Visualisation Magazine Volume 3: Isometrics.  You can view it completely online, OR you can purchase a print copy from Amazon.com for $22.00.  This volume covers some of the great designers of isometric-style infographics that have been published in both print and online.

You can win a FREE copy of the printed book by tweeting a link to this post on Twitter using the hashtag “#vismag3” by the end of the day on July 16th.  A winner will be randomly chosen to receive a printed copy of the book.

Chris was very gracious, and has also agreed to answer a number of interview questions about his work and publishing Visualisation Magazine:

 

Cool Infographics: How often do you publish the volumes of Visualisation Magazine, and how many in the future do you already have the topic planned?

Chris Watson: I’d like the volumes to be more regular in their publication, and hopefully more consistent, but I got delayed with this one as I had other things taking my time. Greg Smith at serialconsign.com said to me in an email ”Nothing is ever definite (datewise) when it comes to publishing, web or otherwise”.

Yes, I have some future volumes planned.  The next issue was going to be a collaboration with Wes Grubbs at Pitch Interactive, but recently he has had to concentrate on work recently. We still have a potential list of contributors and work lined up to contact, including Greg for: Volume 5 | Large Data Visualisation: Form and Process

So, due to the delay, and wanting to keep it moving along, Logan Holmes, a colleague of mine, at the same college where I teach and just as passionate an admirer of infographics, suggested we do a volume on the less clinical, beautiful, finished, polished examples of data vis/infographics. Therefore, we thought let’s show the handmade, in-progress examples with less formal styles. They might be just humorous, making good observations of life, or challenging our visual thinking. http://visualisationmagazine.com/volume4_handmade.htm

The list is still being compiled and as yet no one is confirmed, but hopefully we can get permission for most of what we have seen. 

 

Cool Infographics: How long does it take to put together an issue of Visualisation Magazine like The Isometric Volume?

Chris Watson: It probably takes 2 weeks to put together when you have all the content. Allowing time to not see it for about a week and then come back to it so you can see your typo’s and be more judgemental as to its overall look, order etc.

But as I do it as a ‘hobby’, meaning to say it doesn’t pay me like my teaching job does.  I have to balance how many evenings I spend compiling, sourcing high-resolution files, rendering to the right file format for printers, etc. with how much time I spend with my partner.  Overall, it ends up taking about 2 months, 10-12 weeks.

 

Cool Infographics: What are your thoughts behind selling the printed version, but making a complete online version available for free?

Chris Watson: It’s intriguing you ask that.  My initial motivation to make the magazine was that I wanted a publication that was just on infographics and data vis because it is such a growing field with so many being produced. There are written journals such as IEEE with their vis week and there are conferences such as VizThink, but where is the style side?

You have one for typography – Eye, graphic design/advertising – Creative Review, illustration – Computer Arts and then their sister publication – Computer Arts Projects that varied their specialised content.

I would have loved to have printed it from the start, but just assumed you’d have to buy a bulk amount of copies. I thought I’d see if it got a following and then one day ask if they would buy, or invest in printing. Then, after circles with Pedro’s help we got lots of positive praise with thanks to you Randy for helping raise awareness on blogs.  Many of them asked ‘is there any chance of getting it printed?’.

One of them pointed out that there was a Print-on-demand service called Magcloud in the US through LinkedIn. Shame they didn’t ship over the pond (back then, I haven’t checked since). Anyhow researched about print-on-demand, and developed a visual comparison here http://visualisationmagazine.com/blogvisualthinkmap/2009/10/self-publishing-visualisation.html

So I could make it available to print through Create Space and cost me a proof copy, not a bulk batch that I had to try and sell and hope there was a demand for it.

I left it free to view online because it was my original intention.  It’s just great to see the work in print. I think Nathan at flowingdata.com about the same time started a print facility of just the posters, as apposed to a bound book.

I’d like a publisher to get behind it, market it, and print it bigger, as probably does anyone ;o).

 

Cool Infographics: What tools do you use to design and layout a volume.

Chris Watson: I use Adobe InDesign, Pedro was familiar with InDesign and I had trained with InDesign at college and being Adobe, the interface is familiar to Illustrator and Photoshop. I did the 1st volume/version on Adobe InDesign 2.0 and it has improved a lot to the CS4 version that it is rendered through now.

Photoshop renders the pictures and Create Space desires you to render your cover (front and back glossy outer cover) through it.  Their template for trim sizes is in .psd format.

The style of the layout and design was influenced by NeueGrafik and the swiss/basel school of design with J M Brockmann etc. that both Pedro and I loved. Clean white space and Helvetica font to not interfere with the infographics/data vis work.

 


Cool Infographics: How receptive were the different designers to being included and giving you the information you needed?

Chris Watson: Oh, they are the reason it works.  If they didn’t get back to me, I’d have no content. I don’t just want to feature them without permission and many instances I’d like higher resolution files for good quality prints. So huge thanks to everyone who contributes and responds back to my emails.

They are all generally very happy to feature their work. I don’t share their high res files with anyone other than the printers in a PDF, and you get some that go to above and beyond what I’d asked for to give me more content.

For instance, Arnaud from as-map.com on the last issue said, you should look and feature Paul Kahn’s work. Paul shared the passion for the magazine and sent me examples of his work (…& Associates), and a few images from a journal article that had been published. Then he mentioned I should look at Kris Lenk and speak to him about his work, as they both had created dynamic diagrams.

I contacted Kris and he sent me an article, images, work from his students at Rhode Island school of design. Same with Gareth at Trainiac.  He sent me loads, chased down copyrights, answered an interview sharing great insights and got Rob, a designer/colleague to answer them as well.

So they are all very generous with their time, and work, which I’m very thankful for and I guess it gives them and their business/work further exposure, kudos.

Many of them only ask that I clearly point out the owners/authors, offset one or two images not to show the entire image of their work because they also sell it commercially.  Some ask if I can send them a printed copy, which I’m trying to do with the slight amount of profit it makes. Needs to sell more to be able to order copies to be sent to people, as I don’t have any capital, just an abundance of time, enthusiasm and effort.

 

Cool Infographics: Was it difficult to coordinate the different Copyright and Creative Commons issues?

Chris Watson: Yes, to an extent.  I recently got a template for a printed written agreement form to send to people to try and safeguard against legal action and I hope it never arises.  I wouldn’t share or feature it without an email saying ‘yes ok’. The Circles and this Isometrics volumes were just people saying ‘yes, sure’.

To enable the online smooth nature of communication between me and the contributors, I found a fax to email site that people send to.  I get it as a PDF file so they could sign. The agreement slows the process down, and people worry about what they are signing. So still not sure if I will use it, I have an email with them saying ‘yes use it’.

Not sure I have seen any instances of how the creative commons has stood up in court. Not with sites like Flickr.com and Behance.net integrating it to license their work with a ‘I trust it if they do’ sort of attitude. They are good because I want to share it, non-commercial, attributed to the author.

 


Cool Infographics: Where do you have them printed, what are the printing specs and why?

Chris Watson: After comparing in the link from question 5, I use Create Space, setup by Amazon. Let everyone anywhere order a copy.

They have, like many of the others, preset sizes, and I assume they have costed it that way.  But I wanted the square format; I liked the other magazines previously mentioned such as Computer Arts Project and Creative Review. It’s sort of balanced and proportioned, much in the vein of NeueGrafik and a slightly cheaper end price for the buyer compared to A4 (less paper, less ink used I guess).

This square was 8.25 x 8.25 in their presets so had to tweak slightly to what I had original made for online.  I think I did 10 x 10 (inch). It took a bit of farcing trying to interpret their specs for dimensions with margins and bleed areas. Maybe it’s just me, but I eventually realised where they wanted the margins and bleed space and thankfully it didn’t make it smaller by too much. I have a template now, so didn’t take as long for the Isometric Volume. I sacrificed a little of the white page space from around the designs, the edge of the page to the edge of a box, bold line/title. But overall, I was extremely pleased with the binding, cutting and colours printed (I struggled mind you with dense black areas such as Web Trend Map or the Oscars visual by Wes,  It was hard to see the colour details).

 


Cool Infographics: How has the Issuu service to publish online worked for you?

Chris Watson: I liked it.  I need to figure out how to get the Flash used by Issuu.com to display on an iPad and smart phones. I think you can wrap it in HTML5 in some way.  I’ve seen a nice infographic I tumbled and need to investigate further.

You can get an app for Google Android to view publications as opposed to directly on my site, and I think they are making one for iPhone.

It’s good because I could customise it to remove certain functions from the interface such as downloading the PDF, embedding the whole document at their own site rather them view it at my site and hopefully subscribe to the mailing list to see future/previous issues.

It has this nice zoom capability, which at the beginning was good.  I’d like you to be able to zoom into visualisations that were really large and detailed such as the Web Trend Map and density designs work. It also let people share it through the Sharethis service or email to try to get the web 2.0 going and raise awareness of the publication.

 

Cool Infographics: What’s your favorite Isometric visualization?

Chris Watson: *smile* I’m not sure, its partly the reason I put them in a mag. There are various aspects of all the different ones featured.

For instance I love the abstract creative nature of Eboy.  It’s a very graphic design (I trained and teach graphic design). They might not communicate specific info with a clear message or comparison like an infographic, but I love the visualisation of the websites into abstract non-physical (i.e. the world wide web/digital) space. Like the Web Trend Map, it takes the Internet from a conceptual space to an impression of absolute almost physical space.

The width dimension with the stacks for stability in the Web Trend Map is so good.

Love the idea of files been given a space in the same way like with Paul Kahn’s work, that you can navigate and see them as a whole in your computer (…for them a website).

Love the physical space being depicted in a flow of processes with Funnel, Inc., and the complexity that Trainiac depicts and abstracts different departments in a business. The bold colors in a line graph with GOOD, inc. and Timko & Klick; very unique.

Arnuad’s CV style is brilliant too.  With the color-coding of how the skills have built up to be him as they stack in the middle.

Bit of an evasion to the question, but I do love these different successes.

 

Cool Infographics: What can we expect from Chris Watson and VisualThinkMap in the future?

Chris Watson: Hmm…  Busy, I might be sad but I keep trying to challenge how I visualise data, or visualise things that I think would greatly benefit. It’s strange but for a designer they are always striving to create new forms/reinvent old forms, create the new. It’s what drives me, so I try to make new forms, not just stylistically but that have function too.

I did a wayfinding project for a library at a college. Ultimately, they didn’t use it as I designed.  I didn’t really get asked to; I just wanted to make it better and spent longer than expected to make the design work for the place. It didn’t sit well with me as planned to let them use it for free.  I offered it to them really cheap but they didn’t want to pay.  It’s a shame, but you can’t blame them. Will post the look of that soon with some of the thinking behind the project.

I have recently completed this project that I need to get round to posting and telling the Wordpress community.  I want to see if they will use it, or consider it.

http://www.behance.net/gallery/My-Wordpress-Web-2_0/513412


I revamped the My Web 2.0 graphic as I have come across new services that I use since its inception.

http://www.behance.net/gallery/My-Web-2_0/379498


Working on the next issue with Logan Holmes of Visualisation Mag – Handmade/Informal – Volume 4 

I am collaborating with Logan on visualising poetry/creative writing with illustration/drawing and plan to make it into a bound book differently than that through Create Space. 

Logan, myself and another colleague (photographer) are planning projects that do blow our mind and hopefully are realised in the future.

 

 

Monday
May032010

Design For America Contest Deadline

The May 15th deadline for the Sunlight Labs’ Design For America contest is quickly approaching!  With $40,000 in prize money available, there’s still time to enter the Data Visualization category (or Process Transparency or Redesigning The Government).
The submission deadline for the Design for America competition is rapidly approaching. Designs are due by May 15th and the winners announced on May 27th. With a grand total of $40,000 in prize money on the line, we would like to invite designers from every corner of the globe to participate. We can’t wait to see the great ideas people have for redesigning government, visualizing data and explaining government processes.

Our team at the Sunlight Foundation put together this video to give a little context about the competition. In addition, our own Ali Felski, one of Design for America’s judges, did a nice write up of competition where she talks about the need for designers to come together to, “overwhelm the government with good design.”

Government information can be so boring and obtuse. Reams of data on spreadsheets and hundreds, even thousands of pages of legalese can unintentionally obscure the real, and beautiful meaning of public information.
Thanks to Brad for reminding me and sending the link!
Wednesday
Apr282010

Jess Bachman Interview (Death & Taxes 2011 Poster Giveaway!!)  #deathandtaxes

Last week, Jess Bachman (@mibi) from WallStats.com released the new 2011 Death & Taxes poster.  I caught up with Jess (by email) to ask some questions about his huge infographic undertaking.  The high-resolution image of the poster is available now online, and the printed version will start shipping on May 7th.  You can pre-order for $24, and the shipping cost is only $0.75 TODAY (April 28th)

WIN a copy of the poster!  Jess has been kind enough to offer a free poster to a reader of Cool Infographics.  To be eligible, you must tweet (or retweet) a link to this post on Twitter before May 7th, and include the #deathandtaxes hashtag.  I included the hashtag in the post title, so any retweets will be automatically eligible.  NOTE: you must also be following me on Twitter (@rtkrum) so that I can send you a DM if you have won!

Death and Taxes” is a large representational graph and poster of the federal budget. It contains over 500 programs and departments and almost every program that receives over 200 million dollars annually. The data is straight from the president’s 2011 budget request and will be debated, amended, and approved by Congress to begin the fiscal year. All of the item circles are proportional in size to their funding levels for visual comparison and the percentage change from both 2010 and 2001 is included so you can spot trends.

The detail in this poster is stunning, and in this small shot you can see how the total budget request breaks out. Only the “Military/Nat. Security Discretionary” and “Non-Military/Nat. Security Discretionary” portions of the budget request details are displayed in the poster.

 

Jess was also nice enough to answer a few interview questions I sent him:

Cool Infographics: What software applications do you use for the Death & Taxes posters?

Jess Bachman: The only applications I use are Photoshop and Excel.  Excel is where I in put all the data and it crunches the numbers, adjusts for inflation and calculates diameters.  Photoshop is where I put it all together and the PSD file occasionally exceeds 1 gig so it can be a beast to work with.  Saving takes about 5 minutes.

Cool Infographics: What’s your design process?

Jess Bachman: Normally I start from scratch and layout the images and make them fit; however, this year the budget didn’t change all that much, likely being from the same President, so I was able to keep the 2010 format and change the size of circles.  Of course some things had to be added and removed.  So this year I saved myself about 3 weeks of work just getting right into it, but the design process is grueling.  it’s small tasks, repeated 500 times.

Cool Infographics: What’s the most interesting thing you learned from the data?

Jess Bachman: I can definitely see the differences in Presidents from Bush to Obama.  Lots of reductions on the military side this year and the whole security climate as a whole isn’t as fiscally robust as it was a few years ago.  Much more progressive funding with Obama too.  Every year Bush would cut climate change research, now its back, along with other green tech.  For some reason, public proadcasting gets the hack saw every year no matter who’s in office.

Cool Infographics: Where are some of your favorite places that have the Death & Taxes poster on display?

Jess Bachman: Well it’s always good to see it on display in schools and classrooms.  But I really enjoy hearing from military members who have in their offices or even in station.  I have sent several to Afghanistan.  Critics often say the poster is anti-military, but the military is quite receptive to it, even the former Dept. of Defense Comptroller, Tina Jonas, loved the poster.  Some people from the Dept of Energy’s Oak Ridge Lab displayed the poster on their 30’ Everest computer screen… that was cool too.

Cool Infographics: What’s the hardest part when developing the poster?

Jess Bachman: The hardest part is just getting through all the rote data processing and mindless photoshopping.  The research side is quite fun, and going through the military budgets is a trip with all their classified and hi-tech programs. However, copying and pasting 5,000 times really takes a toll on my creativity and motivation.

Cool Infographics: You said you do a lot of copy & paste work, in what format do you get the data?

Jess Bachman: Some of the government data is in Excel already, but there is no context so I am dubious about working solely with their data sets.  Mostly I pull the numbers from the actual printed budget, which is in PDF form.  So I end up copying and pasting the program name and its funding level for 3 years into Excel, then I copy and paste the program name, funding level, and percentages back into photoshop as a text layer.  Rinse and repeat 500 times.  Many people ask if there was an automated way to create the poster each year and I wish there was, but the confines of the paper make size and fit a manual process.

Cool Infographics: Where do you have them printed, what are the printing specs and why?

Jess Bachman: I get my posters printed from a company called PrintPelican in Florida.  There really are no cheaper prices out there but I opt for a thicker cut of paper than usual.  I get 100# gloss cover which is a few shades from a business card in thickness.  To be honest, they have screwed up my order a few times over the years but we have always managed to work it out.  I usually print runs of 1000-2500 and always 24” x 36”.

Cool Infographics: How do you handle all of the printing and shipping of the posters?  Do you tube them yourself?

Jess Bachman: I used to do it all myself.  I had a 400lb brick of posters next to my bed, and 12 giant boxes of tubes all over the house, and I would roll pack and ship them all.  Now I use two shippers who do fulfillment of the orders for me.  For a while I would send them the orders and addresses weekly but I have offloaded that duty as well.  I think the self shipping method is a good lesson in customer service and its good to know your product inside and out, but after while my time became more valuable than stuffing tubes could afford.

Cool Infographics: You’ve used a few different online zoomable image services in the last few years, what have you learned?

Jess Bachman: There are lots of zooming options out there and new ones seem to pop up all the time.   I used Zoomify until it felt too clunky and slow, then Zoomorama which I really loved for its performance and options.  This year I experimented with an self hosted open source app called Open Zoom and it certainly was a slick and great user experience, unfortunately the demands it placed on my server from huge inflows of traffic proved too much, taking down the whole site.  So I had to switch to my backup, which was Closr.it, and let them deal with server demands.  Closr.it has been very attentive to my needs and I have found that most developers will work with me to tailor a custom solution if I ask.  The zooming apps keep getting better so I expect to keep changing apps as long as the space keeps innovating.

Cool Infographics: You mentioned the 30’ display, have you printed it out in larger sizes?

Jess Bachman: No, I have not printed it out any larger.  The file being Photoshop, and the images being mostly rastered do not allow quality printing beyond the poster size.  The file is 300 dpi so I could get away with a slightly larger size, but oversize printing is expensive and who wants a poster that big anyways. 

Cool Infographics: Where do the images come from?

Jess Bachman: Most of the military images come from defenseLINK, which is a great repository for hi-res military photos.  Other images come from stock photography sites for the most part.  It does help that most government logos are round.  I suppose it’s just an old school way of doing things, government seals and all.  The design aesthetic amongst government logos is really all over the map though, and its quite interesting.  Some look like that are from the 1700’s, and some from the 2700’s.

 There was one correction to the online version that Jess has posted:

So I totally had the wrong data for NASA on the visual. Here is the corrected image, which reflects what you have been reading in the news. Science up, space down. I fixed it before it was printed, don’t worry.

You can view the image, buy the poster and more at the new site DeathandTaxesPoster.com.

SPECIAL: If you pre-order the poster TODAY (April 28th) shipping is only $0.75!

Thursday
Apr082010

The Ford Fusion 41 Competition infographic

As part of the advertising behind the Ford Fusion, Ford held a contest with eight teams to break some wacky world records.  Tapping into the public interest in infographics, they worked with designer Thomas Porostocky to develop a visual design they could publish.

The Fusion 41 competition amassed a wealth of raw data generated from all of the teams and activities. To bring these numbers to life we handed the database over to designer Thomas Porostocky who spun it into some amazing poster size visuals. Download the PDF to check out the Fusion 41 stats in their full glory.

This infographic has received some criticism on the web, so I thought I would add a few more comments.  I love the idea that Ford has taken some wacky, strange and funny statistics and visualized them to make them interesting and approachable by viewers.  The results from competitions like “Fastest time to plant a tree”, “Most ‘backseat driving’ comments in 10 seconds” and “Refrigerator magnets stuck to a Ford Fusion” help support the idea that it’s not all serious and the Fusion can be a fun car.  I think the statistics behind the competition are very well focused to be humorous and entertaining to the customer profile that Ford is trying to reach.  I like the grid and speedometer design portions of the poster a lot.

We’ve told the world that the Ford Fusion is up to and up for any challenge. So we chose eight Fusion drivers and their friends to put the Fusion to the test. Every 41 hours for three weeks we tasked these teams to rack up the most points by completing activities with a 2010 Fusion. During those 3 weeks the teams strove to out-score each other across 12 separate activities.  In the end, the team leading in the most Activities walked away with the title of Fusion 41 winner and a Ford Fusion of their own.

I only have two complaints about the infographic myself.  First, I don’t like the over-use of bar charts.  It reminds me of the pages of bar charts that many corporate reports have that could be replaced by a good infographic.  Second, the bright colors used are harsh to the eyes and hard to read.

In December, Ford teamed up with 8 loyal Fusion owners and 4 of their friends to compete in relay challenges that set world records in the 2010 Ford Fusion. Fusion 41 activities included the most turkeys donated to a food bank, most clothes donated to a shelter and most people dancing to the Fusion’s stereo to name a few. The teams had a blast participating in the Fusion 41 program and the results were remarkable!

Take a look and post your thoughts in the comments.  What do you think?

Sunday
Jan312010

Infographic Contest from GOOD Magazine!

A new infographic contest from GOOD Magazine.  Design an infographic looking at the scope and aid given in relation to the earthquake in Haiti.  Deadline is February 9th.  See the GOOD site for complete details and inspiration!

the OBJECTIVE
Highlight the scope of the Haiti earthquake, as well as the aid given to help recover from the disaster.

the ASSIGNMENT
Create an infographic that explores some or all of the following: the toll of the earthquake, why the earthquake was so devastating, the recovery efforts, and the world’s donations of money and aid. We’re offering this contest in collaboration with 
Design for Haiti (a new site by Aaron Perry-Zucker, the man behind Design for Obama and the accompanying bookDesign for Obama—Posters for Change: A Grassroots Anthology), which is collecting information graphics about Haiti. The judging will be done by Perry-Zucker and the editors of GOOD.

the REQUIREMENTS
Send us an e-mail at projects[at]goodinc[dot]com with your infographic or post it to 
GOOD’s Community Blog with the tag “February 2010 Transparency Contest.” It can be in any image format, but it should be high enough resolution that it can be printed at 300 dpi. Make sure to include your sources, and a brief (one- or two-sentence) introduction to your concept. We’ll take submissions now through February 9. The winning entry will be announced on February 16, featured on our homepage and on the Design for Haiti site, and printed in the next issue of GOOD. We’ll send a GOOD T-shirt and a free subscription (or gift subscription) to the winner.

Thanks Tina for the link!

Thursday
Jan142010

The Visual Miscellaneum - Win a Signed Copy!

 

First of all, The Visual Miscellaneum is a great book of infographics by David McCandless.  

 

Second, and more importantly, it has sold out in the U.S.  Amazon, Barnes & Noble, Borders and others all show the book to be Out Of Stock.  David has what are potentially the last five copies of the first edition, and he is going to sign them and give them away for free.

 

Visit David’s site, Information is Beautiful, (you should bookmark his site while you’re there) and post a comment ON HIS SITE under his entry about the last five books.  On Saturday, January 16th, David will choose five people from the comments to receive the free signed copies.

 

 

 

Tuesday
Jan122010

Bronson Wins Infographic Poster!

 

 

 

 

 

 

 

 

Congrats to Bronson Harrington (@Gnuboss on Twitter)!  Bronson won a free poster of his choice from Infojocks.com by retweeting about the infographic contest we announced in December.  By including the #BCSvisual hashtag, Bronson was then randomly selected to receive the free poster.

The contest wraps up next week, so look here for all of the entries and the winner.

Thanks to everyone for helping to spread the word!

Friday
Dec042009

Enter the "Visualize The BCS" Infographic Contest! #BCSvisual



Think you can design an infographic?  Well now's your chance to prove it!

Announcing the "Visualize the BCS" contest from InfoJocks.com!  The Bowl Championship Series causes a ton of debate between sports fans over the holidays.  We want you to design an infographic about the BCS.  What to visualize is completely up to you, but must meet two criteria: 1) relate to the BCS and 2) use statistics.  Should be easy, right?

Prizes:  Three winners. Best Entry gets two posters of their choice and a $50.00 gift certificate to ESPN’s online store. And to keep it interesting, Most Artistic Entry and Most Analytical Entry both receive posters as well. All entrants with legitimate entries will receive a free set of our Taxonomy of Team Names gift cards.

Of course, I will post the winners here on Cool Infographics and maybe more of the entries as well.

Deadline:  All entries are due January 1, 2010. The winner will be selected before the National Championship is played. Send your entry in PNG, JPEG, or PDF format to contest@infojocks.com, along with your mailing address.

Visit the InfoJocks.com blog for complete details and some ideas.  Jeremy will be posting some links to possible resources and datasets next week.

Spread the Word!  Also, from Cool Infographics you can win a free poster by helping us spread the word.  Tweet about the contest on Twitter with a link back to this post and include the hashtag #BCSvisual.  On December 21st, I'll use a random number generator to pick a random qualifying Tweet and send you a free poster from Infojocks.  (only one Tweet per person will qualify)  An example Tweet would look like this:

Enter the "Visualize The BCS" infographic contest by Infojocks and Cool Infographics!  #BCSvisual http://bit.ly/8Fo4Ii


Remember, everyone who enters will receive a FREE set of Taxonomy of Team Names gift cards.

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